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   Dec 12

Foghorn hops to the challenge

HEAD OF STEAM: Shawn Sherlock has earned nationwide recognition for his work as head brewer at Foghorn Brewhouse located in King Street, Newcastle.The creative process of brewing drives Foghorn Brewhouse head brewer Shawn Sherlock.

It has inspired him to dabble with everything from hop-heavy India pale ales to mixing seafood into stouts.

“A craft brewer’s role is a lot like a head chef’s role, compared to a winemaker for example,” Sherlock says.

“With wine it’s so much about getting the soils right and the palate to know when the grape is right to go and blending them down the track.

“In brewing we’ve got this huge range of ingredients that we’re not directly involved in growing or supervising the hops. So we’re taking this wide range of ingredients and using our vision to put them together for a recipe that is hopefully tasty, good, and in my case, different and interesting.

“I don’t want to brew mainstream beer. That doesn’t mean I don’t brew beer that isn’t approachable, but I want to brew beer that’s focused on taste and quality.”

Located in King Street, Foghorn is named after the iconic coal ship horns which blast over the CBD.

Six fermenting tanks produce 1800-litre batches of beer three times a week, including porters, stouts, pale ales, IPAs, pilseners, wheat beers and Belgian and English ales.

All beer is produced on site and doesn’t require freight, which allows for a minimum turnover of three weeks from brewing to the customer’s glass.

Most bottleshops and pubs stock beer brewed months ago. Speaking to Sherlock his passion for Newcastle is infectious.

“In an era when manufacturing is moving out of town and to some extent dying, bringing back a manufacturing trade into the centre of the city was something good, albeit in a new different way to the old days,” he says.

Last yearFogHornErina opened on the Central Coast. All beer is brewed in King Street and couriered down the M1.

A thirdFogHornremains in Sherlock’s final vision.

“We haven’t got any immediate plans and we don’t have a particular location in mind,” he says.

“I would hope we can grow. With a brewery this size, we could probably stretch to a third one before we can expand the equipment itself, but there’s a lot of water to flow under the bridge yet.”

   Dec 12

Troy Grant says NSW bushfire response shows why RFS HQ should stay in Sydney

Emergency Services Minister Troy Grant said the current metro headquarters of the Rural Fire Service allowed it to host eight government agencies as bushfires raged on Saturday and Sunday. Photo by Wolter Peeters. ►RELATED:

Tragedy strikes Wentworth Browns againBowman property saved as Hugh reunites with WinxHomes and livestock lost as fires continue to burn across the stateLeadville blaze strikes prized studs, homesA “well-oiled”responseto the weekend’s bushfires justified the NSW Rural Fire Service being located in Sydney, according to Emergency Services Minister Troy Grant.

Government again copped criticism last week after Shooters, Fishers and Farmers’ Orange MP Philip Donato asked why the service’s head office, and associated jobs, would not be relocated to the bush when the current lease at Lidcombe is up in 2018.

But Mr Grant said the current metro headquarters allowed the service to host eight government agencies on Saturday and Sunday, allowing emergency groups to co-locate easily, and to broadcast and communicate more effectively with media.

“The location of the RFS headquarters means it is able to quickly and readily respond to events like those we saw over the weekend,” Mr Grant said.

Regional councils and regional volunteer organisations had lobbied government since 2015 to bring the office over the Great Divide to better fit its ‘rural’ moniker, and to deliver more jobs to regional towns.

In December Mr Grant’s predecessor David Elliott dashed those hopes and declared the NSW Rural Fire Service would instead move to a state-of-the art facility at Olympic Park at Homebush.

The Shooters, Fishers, and Farmers Party took up the cause again this month, with Mr Donato and arguing a the relocation of the Department of Primary Industries to Orange was a successful precedent for decentralisation.

MLC Robert Brown also said moving the service bush would also save government money in Sydney rent, while modern technology would bridge the distance between the city.

Mr Grant said it was essential for the headquarters to be convenient to major media outlets, operational stakeholders, and support agencies.

“During peak operational times the State Operations Centre within headquarters can swell to over 200 multi-agency personnel,” he said.

Almost 70 per cent of Rural Fire Service staff work in regional offices and local fire control centres

Mr Grant said government will continue looking at other opportunities for investment in emergency services infrastructure and operations across regional NSW.

   Dec 12

ReviewWhose Wives Are They Anyway?

THEATRE REVIEWWhose Wives Are They Anyway?DAPA TheatreDAPA Theatre, Hamilton. Ends February 25English-born actor-playwright Michael Parker, now resident in the United States, has notably written farcical comedies that appeal to American audiences. This play, for example, has two company vice-presidents having a golfing weekend while their wives shop in New York. They find themselves in trouble when they encounter the unsmiling female head of the firm that has taken over their company and demands to meet their wives that night. Amusing chaos ensues, with one of the men dressing, with a blonde wig, as an attractive woman, and a hotel receptionist bribed to be the other wife. And the chaos grows when the real wives turn up.

Director David Murray and a good acting team make this an enjoyable show, though the first night performance showed a need for sharper delivery of some lines. But the actors’ movements raised laughs, especially scenes that had three people in a bed, at least one virtually hidden, and the head and legs of different occupants visible. And they responded well to the demands placed on them by movements around the set, which includes the hotel reception area, an adjoining lounge room, stairs, hallways, room doors and two adjoining bedrooms.

Oliver Pink and Conagh Punch keep swiftly on the move as the two golfers, with Pink’s David astutely manipulating his younger colleague John’s behaviour and that man showing in return how he has risen to a senior position at a young age. Maddy Lardner keeps the laughs coming as the increasingly inebriated receptionist, repeatedly pouring herself glasses of champagne to try to relax her nervousness. Carol Hong is a suitably unsmiling hotel manager, Rob Williams is an amusing hypochondriac handyman, who is adept at using problems, such as a breakdown in the hotel’s phone system, to suit his own purposes. Jennifer Dixon’s attractive but stern and sharply worded company head would have anyone running for cover. And Natalie Burg and Beth Traynor are delightful as the shopped-out wives looking for relaxation as they arrive with bags of purchases from noted New York stores.

The staging’s main weakness is the characters’ handling of phone calls from people wanting to place bets on racehorses. The actors’ delivery of the puzzled responses when they answer these calls , including their repetition of the horse names and other words used by the callers, needs to be stronger, so that watchers laugh rather than look puzzled.

   Jul 13

Hello Collingwood Magpies and welcome back to a Melbourne netball derby

Collingwood AFL captain Scott Pendlebury and Collingwood netball captain Madi Robinson on Tuesday. Photo: Vince CaligiuriCricket’s Big Bash League flogs them. In the A-League, they prove to be among the highlights of each season. And they were once a mainstay of the National Basketball League in Melbourne.
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Derbies. Club versus club or team versus team in the same city. They are a dream for marketeers and, truth be told, a godsend for sports editors.

Excitement is circling around the relaunched national netball competition, known as the Super Netball league, a competition that also signals the return of a Melbourne netball derby for the first time since 2007.

This Saturday Collingwood’s new netball team – yep, that behemoth of the AFL competition that you either love or hate – takes on the Melbourne Vixens in one of three state derbies that feature on the opening weekend of the revamped -only competition.

Goodbye to the New Zealand franchises in the ANZ Championship and welcome back to something resembling the old Commonwealth Bank Trophy that started in the late 1990s. For netball fans, this new-look competition features something all sports administrators crave: free-to-air TV exposure.

It’s also an invigorating time for the netballers themselves.

“We’re really excited. I think it’s been the longest anticipation for a season we’ve ever had. It’s been about five or six months leading up to this round one game,” said Magpies captain Madi Robinson, who has crossed from the Vixens.

“As a team we’re all coming from different teams, so whether it’s me round one, or someone else round two, we’re all be feeling the pressure facing our old teams.”

Robinson debuted in the national competition when Melbourne boasted two franchises.

“When I first started playing netball at the elite level, we had the two Melbourne teams,” she says.”So I think it’s great to be able to have two teams again, and obviously build that rivalry.

“I think the first five minutes, or even the first quarter will be full on. There will be a lot of physicality. I expect them to come and try and biff.”

The start of the Super Netball league comes hot on the heels of the launch of the AFL Women’s competition and coincides with almost unprecedented interest in women’s sport.

But Robinson, for one, is not worried about the threat of top netballers being swallowed up by another code, namely the AFLW.

“The cream of the crop, or the elite netballers, are very good at what they do, and I think they’ll remain in the sport,” she says.

“I think some of those [athletes] that are trying to push to get into the top teams, that’s where we might see a few go to football.

“I know some of them are trying to watch us in the gym and are going ‘would you like to come and have a kick?’

“We’ll leave that for a couple of years.

“I think netball is still at the forefront of everyone’s mind, which is great.”

   Jul 13

Anthony Faingaa returns to ACT Brumbies to start and finish career in Canberra

Anthony Faingaa (right) and his Brother Saia Faingaa (left). Photo: Harrison SaragossiAnthony Faingaa says the chance to finish his career where it started lured him back to Canberra, but the Super Rugby championship winner doesn’t want to be a passenger in his ACT Brumbies comeback.
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Faingaa started training with the Brumbies less than a week ago after finishing a stint in Japan and hopes to press his claims for round-one selection.

A stream of videos looms as the 30-year-old’s secret weapon for chasing Brumbies selection, revealing he has watched every training session for the past four months to help his transition.

The Queanbeyan junior says he always had a desire to find a way back to where it all began and insists age will not be a barrier to his hopes of making an impact.

“This is my home. When I started here [in the Brumbies Academy] in 2004, I always wanted to start and finish my career here,” Faingaa said.

“I’ve been lucky to get an opportunity to come back. To be able to do it with Saia is a bonus. I jumped at the opportunity with two hands when [Brumbies coach Stephen Larkham] called.

“It was a big opportunity for me and I just want to make sure I can add to the team and put out good performances.”

Faingaa made his debut for the Brumbies in 2007 before joining the Queensland Reds for 90 games, including a Super Rugby title in 2011.

He left the Reds at the end of last season to join the Kintetsu Liners in Japan, but he had videos of Brumbies training sent to him so he could learn new plays and styles.

It could help fast-track Faingaa’s second coming at the Brumbies, where he will compete with Kyle Godwin for the inside centre job and Tevita Kuridrani for the No. 13 jersey.

“I already know most of the plays, the only thing left for me to do is to get out there and doing it,” Faingaa said.

“I need to just worry about playing football first before I starting going down that selection route.

“I only finished playing rugby two weeks ago, so it’s not like it’s been a long time since I laced up. I can’t wait to get out there and start playing again.

“For the moment I just want to worry about this year. Being in a young team helps you feel young.”

Brumbies coach Stephen Larkham is still settling on his line-up for the first round of the Super Rugby season.

Wharenui Hawera appears to be the front-runner to take the chief playmaking reins as flyhalf while Lolo Fakaosilea and Rob Valetini are competing for the No. 8 spot.

Jarrad Butler is working his way back from injury but it is not known if he will be to play in the opening round against the Canterbury Crusaders.

Godwin is set to claim the inside centre job while props Scott Sio and Allan Alaalatoa didn’t play any trial matches as they nursed hamstring injuries.

James Dargaville hopes to force his way into contention for a spot on the wing after shoulder surgery kept him out of action for almost five months.

“I’ve just got to keep pushing my case at training. Hopefully I’ve done enough to put myself there, but if not I’ll keep working,” Dargaville said.

“The nature of rugby is that some players move on and others step up, new superstars of rugby are created and we’ve got some young guys that are pushing their claims. It’s a pretty exciting time to be a Brumby.”


February 25: Canterbury Crusaders v ACT Brumbies at Christchurch, 5.30pm.

   Jul 13

Will Skelton returns to NSW ‘a much better player’ after stint in UK with Saracens

Fit and firing: Will Skelton says he has come back a better player after a short stint abroad in the UK with Saracens. Photo: Ben HolgateThis time last year, Waratahs second-rower Will Skelton was unfit, over his usual playing weight and in his own words “not in a good place”.
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Twelve months on, Skelton and Waratahs coach Daryl Gibson both agree a stint in the UK with Saracens was worthwhile and has provided him with a new philosophy for the upcoming season; quality over quantity.

The problems started at the World Cup in 2015 when Skelton suffered a pectoral injury and subsequently required surgery.

He returned to NSW underdone after months on the sidelines, which gave Gibson no option but to drop him to the Shute Shield in March.

Skelton worked his way back for the Waratahs but when he joined the Wallabies, Michael Cheika said, of a player with “unlimited potential”, that Skelton was not in the right condition.

The 24-year-old featured in four Tests last year before making the decision, supported by the Waratahs, to get more match fitness by playing with UK Premiership club Saracens.

Christmas and New Year was spent in chilly England but it was a move his coach says was crucial for Skelton to achieve his potential.

“He’s come back a much better player for that experience and also in much better shape,” Gibson said. “Will’s had an excellent time at Saracens. Part of allowing him to stay on after the spring tour is firstly to get that experience with Saracens, currently the best team in Europe.

“He got himself to 140 kilos during the Wallabies campaign, went to Saries [Saracens] and kept training at their intensity, so he hasn’t had much of a break. I expect him to pick up where he left off.”

Skelton shares the same view, saying he is in excellent shape now.

“I feel a lot better,” Skelton said. “The preparation I’ve had in the off-season has been a lot better than last year. I came off the back of an injury, tore my pec, so I was out for a while and I sort of got thrown [back] into it.

“Just coming off the back of the spring tour I played a few games there and then got the opportunity to play at the English club and it’s good to get game time. I skipped the pre-season here but I’m more match fit and I’m ready to go against the Highlanders [in a trial on Thursday night].

“I wasn’t in good form last year and I didn’t warrant a spot in the [Wallabies] team so for me I’ve got to work on myself.”

Those who coach Skelton discuss at length how best to use him. Some believe he needs to be fit enough to play 80 minutes, others think coming off the bench is a better use of his size and skill against a tiring opposition.

Skelton believes the best approach is to play 50 or 60 minutes of quality rugby rather than drift in and out of play across an entire match.

“Quality is the goal for me … if I can get through 60 or 50 [minutes] and go my hardest, empty the tank and really just build on that every game,” Skelton said. “Playing a full game I reserve my energy until the last 20 or the last 10 [minutes] and I don’t get the quality for my team, so that’s the focus. I’ve spoken to Daryl about it, to really improve this year.”

Known for his love of a big feed, Skelton cut back on the calories and improved his diet before the spring tour.

He says he gave himself a few “cheat” weeks in the UK but hoped he would reap the benefits when the Waratahs kick off their season against the Force before a two-week trip to South Africa to face the Lions and Sharks.

“I had Christmas and New Year’s there, I fell off the bandwagon a bit over there but it’s something that you’ve got to cherish as well, that time away from footy,” Skelton said. “We had fun there but now it’s back to work at the Tahs.

“Last year I was in and out of the Test squad and the Tahs so to keep that consistent place in the team, that’s my goal this year.”

   Jul 13

Michael Wells in line to wear Waratahs No.8 jersey following Jed Holloway injury

Michael Wells has emerged as the frontrunner to wear the Waratahs No.8 jersey in round one of Super Rugby after it was revealed Jed Holloway has a hamstring injury.
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Holloway has had a solid pre-season, but Gibson told Fairfax Media his back-rower is almost certain to miss the season opener against the Western Force at Allianz Stadium next Saturday.

It has left a spot open for Wells, who Gibson says will more than likely start at No.8 alongside breakaways Michael Hooper and Jack Dempsey.

“Holloway is another one who is due around round two,” Gibson said. “He’s had hamstring issues over the last six weeks, so we’ve just figured them out.

“Wells performed very well against the Brumbies. He continues to impress in that position so I fully expect him to take the starting spot at the moment.

“I just like his attitude to the game. He’s a tough, abrasive character and he’s got an immense work rate. All those qualities and traits are something that we like and he’s been an excellent addition to the team.”

Wells moved to the Waratahs this year from the Brumbies, where he started in a handful of games before coming off the bench in their quarter-final loss to the Highlanders in Canberra.

The 23-year-old said he would grab every opportunity he could in what is already shaping up to be a solid NSW back row.

“I’m coming in under no illusions, Jed had a great year and if it wasn’t for injury, he well could have ended up on a grand slam tour,” Wells said. “I was happy enough with my trial last week against the Brumbies. I’ll take whatever I can get.”

Hooper said he had been impressed with Wells at training.

“He’s been very consistent around the role he does,” Hooper said. “He’s got good ball-carrying skills. He had a really good game of defence against the Brumbies, so I’m looking for him to give us a lot this year.”

Gibson will announce his team on Wednesday to face the Highlanders in the Waratahs’ final pre-season trial.

A string of Wallabies players are expected to return and even though Bernard Foley sat out NSW training at Moore Park on Tuesday afternoon, officials are confident the incumbent five-eighth will be good to go.

It is unclear how similar Gibson’s starting XV on Thursday will be to the team that suits up against the Force, but there is one positional change that looks to be on the cards.

Gibson confirmed prop Tom Robertson, who was a revelation for the Waratahs last year, will swap to loosehead in the scrum to accommodate the return of Sekope Kepu.

Robertson represented seven times last year off the bench and swapped between loosehead and tighthead prop.

However, it is in the Waratahs’ best interest to have both he and Kepu, the Wallabies’ current tighthead, on the field at the same time.

Gibson believed Robertson had the potential to be a “world-class” loosehead prop.

“The expectation is his ability to play both sides,” Gibson said. “That’s going to be critical with Angus [Ta’avao] still working his way back from a broken leg, he’s due back round nine. We’re going to need that flexibility in our prop stocks.

“We know Sekope can play across but Tom, at the moment, looks like the person who can really have the ability to play both and play both well.

“We’ve got full faith in him that he’s got the ability to be able to do that and pull it off.”

The hooker spot is hotly contested between Tolu Latu, Hugh Roach and Damien Fitzpatrick, while the other main position up for grabs is that of inside-centre given Kurtley Beale has left, with David Horwitz, Irae Simone and Rob Horne all in the mix ahead of round one.

   Jul 13

Mickle knee injury cruels two sports, two careers

Hard call: Javelin star Kim Mickle’s AFLW career is in jeopardy following a serious knee injury.One knee injury. Two sporting careers left hanging in the balance.
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Kim Mickle’s debut for Fremantle at the weekend realised a dream to play in the AFLW for the world javelin silver medallist and Olympian. But a knee injury requiring a reconstruction has left her careers in both of her sporting loves in the balance.

Mickle had not intended to try to compete at the world championships in London this year but had planned to make her comeback to athletics on the Gold Coast at the Commonwealth Games next year. That is now in doubt.

Mickle won silver at the worlds in Moscow in 2013, then injured her shoulder at the next worlds in Beijing in 2015 and, after shoulder surgery, raced to be fit for the Rio Olympics last year. She dislocated her shoulder with her third throw in the qualifying rounds in Rio and had to have a reconstruction when she returned home.

She had not thrown competitively since the reconstruction and had put athletics on hold while she pursued a rookie contract to be part of Fremantle’s team in the new AFL Women’s competition.

She injured her knee in the second quarter of her debut match against Brisbane at the weekend.

“I didn’t expect this to be a major injury at all, but you win some and you lose some, and now I just want to look ahead to what my options are and determine a course of action for my recovery,” said Mickle.

The 32-year-old must now be in doubt to return from injury for the Commonwealth Games, having not tested her shoulder in competition and now needing to recover from the knee.

Such is her nature she is understood to have been pragmatic about the injury, accepting that it was a reality and risk of sport and she’d now work through each stage of her recovery before forecasting what the injury would mean for her future.

“The results of the scans were quite a shock,” Mickle said.

Mickle is keen to remain involved with the Dockers’ AFLW side for the remainder of the campaign.

“We’ll work out what that looks like with the club over the next week or so.”

   Jun 13

Walker brings Germany and Austria’s Romantic era to Adamstown

VIRTUOSO: Sally Walker’s masterful flute musicianship has allowed her to perform with some of Europe’s most accomplished orchestras. Picture: Miranda LawrySALLY Walker has always possessed a passion for travel and for the past 20 years the world has been her oyster.
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The University of Newcastle lecturer’s proficiency with the wooden or silver flute has taken her to the classical music halls of Germany, Italy, Austria and Scotland, rubbing shoulders with the musical elite.

Last EasterWalker even performed at the 500-year-old CatholicBeit Jamal monastery near Jerusalem in Israel.

To share her love and knowledge of international classical music Walker is launching a series of recitals known as theTwilight Musical Dialogues to give Novocastrians a new cultural experience. Walker’s first performance will be German and Austrianmusic from theRomantic Era including works bySchubert, Schumann, Weber and Reger on February 24.

It will be followed by recitals showcasing music from the old kingdom of Bohemia (April),Russia (June), (September) andLatin America (November). Not only will Walker be performing at each recital, she is serving asartistic director.

“They definitely are two different hats,” Walker says.“This is my first time stepping out as artistic director for a series. I only did it because people kept telling me I was lazy not to do it. There was a bit of peer pressure and I thought I should be doing this at this point of my career.

RARE OPPORTUNITY: Last Easter Sally Walker performed in the 500-year-old Catholic Beit Jamal monastery in Israel. Picture: Tomoko Malkin

“Having started, it’s really quite lovely to think who would I love to play with, and which pieces would I like to play? Wouldthis player really excite Newcastle audiences?What would that special thing be? And it came out quite quickly that it would be the division of countries.”

After growing up in Canberra, Walker spent a decade living in Germany where shemade her name in the classical world when she was a grand-finalist in the Leonardo de Lorenzo International Flute Competition (Italy) in 1999andcamesecondin theFriedrich Kuhlau International Flute Competition (Germany)in 2003.

That led to a stint in the Cologne Chamber Orchestra and aprestigious two-year contract from 2003 to 2005 withthe Leipzig Gewandhaus Orchestra, one of Germany’s most famous, dating back to 1743.

“It was very unusual at the time to have any foreigners, especially a female foreigner in the orchestra,” Walker says.“It’s the oldest orchestra in the world and still the largest, so itwas very special to be a part of that orchestra.

“Once you’re in an orchestra in that league, other orchestras consider you as a casual player, so I got to tour with the BerlinPhilharmonic Orchestra, which was great too.”

In 2005 Walker moved to Newcastle to lecture at the university. It’s a role where she has been able to encourage love forthe instrument she has played since she was 10.

Sally WalkerHemisphereswhich explored the spiritual history of the flute in a number of cultures and cultures that at that time had no contact with each other,” she says.“This instrument has been considered transcendental and it’s had a special function in calling to the spirits. Like the Greek god Pan played the flute.

“I think there’s something very pure and moving and calming about the actual tone and very expressive. The sound itself is what rang my bell.”

Guiding the next generation of classical musicians through the changing landscape is another part of Walker’s role that providesprofessional satisfaction. The days of classical musicians readily finding full-time work in an orchestra is declining and students are required to bemore resourceful.

“It’s become very unusual and the freelance market has picked up exponentially,” she says.“So I’m training my students differently to how I was trained, which is to learn how to market themselves, learn how to develop their own ideas and have initiative.

“I wasvery happy last year that forthe final recitalsone of my students requested not to have it on the Conservatoriumpremises, but in an art gallery. She put that on by herself and it was great.”

Sally Walker will be joined bypianistGabriella Pusner for the first Twilight Musical Dialogue on February 24 at the Adamstown Uniting Church on Brunker Road.

   Jun 13

24-hour palliative care only available to parts of Lake Macquarie

Lake Macquarie MP Greg PiperLAKE Macquarie residents living south of the Fennell Bay bridge do not receive the same 24-hour palliative care services as their northern neighbours, and instead have to rely on a telephone service for care outside of business hours.
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Lake Macquarie MP Greg Piper revealed in parliament on Tuesday that he hadbeen advised by the government that residents in highly populatedareas like Toronto and Morissetdo not have access to the same 24-hour care as other parts of Lake Macquarie.

Mr Piper read out advice he’d received from new health minister Brad Hazzard’s office that theWestlakes Community Health Service–which operates south of Fennell Bay and Swansea down to Wyee–provides a “24-hour on-call service to provide advice and support to patients” but that after business hours that service was provided by telephone.

Mr Piper said the difference in service created a“them and us” situation in Lake Macquarie.

“In my electorate of Lake Macquarie I fear that services are actually being eroded rather than promoted and expanded,” he said.

It comes after the Newcastle Herald reported last week fears that after-hours palliative carevisits by the Calvary Mater Hospital could be at risk of being replaced by a telephone hotlinebecause of perceived safety risks from the after-hours home visits service.

Hunter New England Health has not ruled out making changes to the service, andMr Piper told the parliament he’d previously met with Cancer Council officials who had been told there were “OH&S issues” related to the service.

However Mr Piper said he’d spoken to one nurse who in 22 years had only seen one “minor assault”.

“This invaluable service not only needs to be maintained and supported, it needs to be extended,” MrPiper said.

The Herald has previously reported thatHunter hospitals were “badly under-resourced” to provide adequate end-of-life and palliative care, as well as calls for 24 hour services to beextended to Maitland.

   Jun 13

Supercars to develop new heritage plan in Newcastlepoll

BILL: Getting started.THE Berejiklian government will seek to pass legislation allowing a “streamlined authorisation and approval process” for the Supercars race in Newcastle this November.
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On Tuesday, Minister for Tourism Adam Marshall introduced a bill into Parliament that effectively allows the Supercars race set to shift from Sydney Olympic Park to Newcastle.

Mr Marshall said the bill also includes the same “commonsense provisions” previously in place when the race was held in Homebush whichprovided“certainty”and allowed the race operators to make “significant improvements to roads and service infrastructure” before the race in November.

Mr Marshall sought to temper concerns about the race, assuring residents that pre-race work cannot begin until Destination NSW is “satisfied that the race promoter has complied with statutory requirements to consult with stakeholders” including Newcastle City Council and “any other public or local authorities prescribed by regulation to ensure specific issues are addressed”.

Vehicle access would be restricted for five days –including the three on which the event is held –from 7am to 7pm, but Mr Marshall said pedestrian access “for residents and businesses” will be maintained at “all times”.

“Any suggestion that the public will be prevented from accessing Newcastle’s finest beaches and public areas is not correct and couldn’t be further from the truth,” he said.

While the act means Supercars was not subject to some acts Mr Marshall said Supercars would work with Newcastle City Council to developa Heritage Impact Statement.

He also revealed the circuit would provide “a valuable commodity of 215 additional car parking spaces” including18 in Newcastle East, although he did not say where.

And,while some “trees and shrubs” will be removed, the plan was to develop a “tree planting program” that would deliver a “usable canopy more than three times what is currently in place”.

Newcastle MP Tim Crakanthorp called the bill a “missed opportunity” to provide genuine consultation with the community, saying he wanted the government to install an independent body to overseeplanning.

“We need an independent organisation that will do all the work in consultation with the government agencies and also with the residents,” he said.

   Jun 13

Hunter workers join Sydney disability services rally

ABOUT 700 public sector disability workers braved pouring rain and NSW government threats of legal action to rally outside Parliament House against the privatisation of government disability services.
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Disability workers say please ‘have a heart’ TweetFacebook Public Service Association rally against privatisation of NSW disability servicesPictures by IAN KIRKWOODThreecoach loads of Public Service Association members joined the rally from Newcastle and the Hunter, and smaller rallies were held in various regional centres around NSW.

PSA Hunter organiser Paul James said the rally was a“great result” given the weather and the Supreme Court action he said the government had taken against the union to try to stop the strike.Mr James and other union leaders called on new Premier Gladys Berejiklian to“have a heart” and stop the planned privatisation.

RAIN, HAIL OR SHINE: Union rally on Tuesday at Parliament House against the planned privatisation of NSW government disability services.

The Coalition government is well advanced with plans to dismantle state-run disability services in NSW as part of a heads of agreement on the National Disability Insurance Service signed in December 2012 by then premier Barry O’Farrell and then prime minister Julia Gillard.

NSW Disability Services Minister Ray Williams referred to this agreement in his comments after the rally and strike, saying “the transfer of these services is an important part of enabling the long-term success of the NDIS, as it will allow participants to have their choice of services within a diverse market”.

“We have protected workers’ leave and superannuation entitlements through legislation, as well as recognising their continuity of service,” Mr Williams said.

“Additionally, we are providing ongoing workers with a two-year employment guarantee from the date of transfer, and a transfer payment of up to eight weeks pay. Temporary workers have a six month employment guarantee.”

But union leaders told hundreds of striking workers at PSA House before a march through Sydney streets to Parliament House thatthe transfer conditions insisted on by the government were dramatically inferior to those made available to power workers and other government employees whose agencies had been privatised. PSA assistant general secretary Troy Wright said the government had been “superficial, patronising and disrespectful” in its negotiations with the union. Mr Wright said the union was determined to stop the government from“washing its hands and walking away from society’s most vulnerable”.

Opposition leader Luke Foley addressed the rally outside Parliament House, telling the crowd in pouring rain that regardless of what was intended with the NDIS, the state government had to retain publicly owned disability services as least as a “provider of last resort”.

   Jun 13

A tablecloth fit for a bridesmaid

Once a tablecloth: Now, a dress, through the deft hands of sustainable seamstress Laura Burghaus. Picture: Marina NeilLaura Burghaus is adamant in her opinion.
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“There are enough second-hand clothes to supply the world over,” the sustainable seamstress says.“Not only that, but so much of what’s out there is poorly made and not flattering for the person wearing it.”

Burghaus was professionally trained as a seamstress in Germany, and lives in the Hunter Valley creating yoga bolsters and dresses in the most environmentally ethical way she knows how through her company, Kissen .

“I have always been interested in wrapping material around a female figure. When I was young I would make clothes for mydolls. I would cut armholes and make little wrap-around tops and sarongs,” she says.

Burghaus struggles with her love of creating dresses and the challenging issues that surround fashion including waste, chemical dyes, synthetic materials and sweatshops in South America and south-east Asia. Fast fashion is second only to oil in its devastating environmental impacts, and this is why her label uses only fair-trade, organic and/or upcycled products made in .

Team effort: Seamstress Laura Burghaus fits Alex Morris with a dress that began life as a tablecloth. Picture: Marina Neil

“Fashion is not sustainable, full stop,” she says. “There’s absolutely no need for more clothes on this planet. But people love to look pretty. Clothes make you feel good. When I put on a beautiful dress I feel so different. I don’t think people comment just on the dress I’m wearing, I think I’m exuding energy of confidence and contentment, and that’s attractive.”

I hired her to make me a bridesmaid’s dress for my best friend’s wedding in Austin, Texas. Held on a farm, the ceremony will be laid back and beautiful. The bride’s name is Ivey Kaiser, and we grew up together in South Carolina. Now, nearly 15 years later, she has given the bridesmaids plenty of flexibility for selecting our dresses on her special day.

Kaiser requested we find a peach, apricot, salmon or yellow dress within our budget that we’d wear again. The dress should be above the knee, but the style and sleeves are up to each of us.

It’s easy to find something cheap online, and I knew that asking a skilled n to custom-make a dress would be more expensive.

But I also knew about sweatshops. If I could help it, I didn’t want one cent of my hard-earned money to go towards these horrifying working conditions. I was keen to support a local business and sustainable fashion while buying something that would fit me well.

Hiring Laura Burghaus to make a dress for me at her leisure over the course of a few months put my ethical uncertainties at ease.

Burghaus took my measurements while we discussed dress options. Every time she gets commissioned to make a piece of clothing, she creates a practice dress first to make sure it fits perfectly.Often she re-uses this material afterwards.

She measured me up, drew lines, stuck pins and cut away at the trial dress to flatter my neckline and bust.Then she showered me with different ways we could meet the dress’ objectives while also giving it its own personality. We went through heaps of styles, colours and fabrics. She has a wealth of knowledge about creative ways to be sustainable.

“It costs so much more to make ethical fabrics. They are generally plain weaves,off-white (unbleached),very durable and notcrease free,” Burghaussays. “Cotton is the least sustainable fabric because it uses lots of water, and if it’s not organic cotton, chemicals are used which runoff into rivers.”

Through her company, Burghaushas found a clever way to recycle fabric scraps, which otherwise would go to landfills. She’s reached an agreement with a company in Sydney to take their scraps, and she uses them to fill all her yoga bolsters. When she does use new fabric, she prefers to use a wholesaler called Hemp WA.

“I like hemp because it’s a sustainable fiber. It doesn’t need much water to grow and it grows fast. To derive the fiber from the plant doesn’t have a huge chemical process. It’s hard to use hemp for pretty dresses due to its properties being similar to linen,” she says.“In an ideal world we would all be wearinghemp, but it does sometimes look a bit daggy.”

I was hesitant to use new fabric for my dress unless I could trace it back to the cotton fields where it was grown and knew the pesticides and dyes that went into making it. A way to work around this dilemma was to use fabric from a friend or a second-hand shop. Sure, chemicals might be on this fabric too, but at least I won’t be directly supporting it.

I told my friend and colleague Cath Burden about my quest for the best fabric, and she thought of her cotton tablecloth that she’d only recently stopped using. Given to her as an engagement gift 25 years ago, it was a little rough around the edges, but the fabric itself was in perfect condition.

Sustainable seamstress Laura BurghausPhotos of the finished dress will be on Laura’s website (kissen苏州夜总会招聘.au)at the end of March..